http://www.radio-oh.com/jazzis/index-j.html 2012-02-14T05:00:24+09:00 無料ネットサービスをフル活用して名曲・名演をあの400playersで！聴いて・眺めて・知って・・ジャズを味わい尽くす。 http://www.radio-oh.com/jazzis/ http://www.radio-oh.com/jazzis//banner/ji3.jpg http://www.radio-oh.com/jazzis/sax/sax_13.html 2012-02-14 McLean joined Blakey after reportedly being punched by the volatile Mingus. Fearing for his life, McLean pulled out a knife and contemplated using it against Mingus in self-defense. He later stated that he was grateful that he did not stab the bassis http://www.radio-oh.com/jazzis/bigband/bigband_7.html 2012-02-08 Pink Martini is a 13-member "little orchestra" from Portland, Oregon, formed in 1994 by pianist Thomas Lauderdale. They draw inspiration from music from all over the world -- crossing genres of classical, jazz and old-fashioned pop. http://www.radio-oh.com/jazzis/vocal/vocal_13.html 2012-01-27 Keys' style is rooted in gospel and vintage soul music, supplemented by bass and programmed drumbeats. She heavily incorporates classical piano with R&B, soul and jazz into her music. She began experimenting with other genres, including pop and rock, .. http://www.radio-oh.com/jazzis/piano/piano_16.html 2011-12-20 Barry Harris’ approach to jazz harmony relies heavily on the diminished chord and its relationship to the twelve keys. Utilizing the diminished chord, he has formulated scales which allow pianists and guitar players greater freedom in accompaniment, to play, in his own words “movement, not chords.” http://www.radio-oh.com/jazzis/guitar/guitar_14.html 2011-12-05 "If everyone played the ukulele, the world would be a better place" http://www.radio-oh.com/jazzis/bigband/bigband_7.html 2011-11-11 The Groove Boutique, Vol. 1: A Seamless Blend of Smooth Jazzy Grooves is the natural extension of producer and compiler Rafe Gomez's nationally syndicated radio program, The Groove Boutique. http://www.radio-oh.com/jazzis/trumpet/trumpet_10.html 2011-10-24 Upon graduating he was awarded a scholarship to study at St. Mary's College in Washington, where he continued to pursue his new love of improvisation. http://www.radio-oh.com/jazzis/vocal/vocal_13.html 2011-10-03 Winehouse is credited as an influence in the rise in popularity of female musicians and soul music, and also for revitalising British music. http://www.radio-oh.com/jazzis/trumpet/trumpet_10.html 2011-09-24 He was very much a bebop player in his early years, but soon gravitated towards free jazz, and with the exception of six months he spent in a US Army Band, continued to play in that style for the rest of his career. http://www.radio-oh.com/jazzis/piano/hanna.html 2011-02-14 His amazingly varied career includes serving as Sarah Vaugh's musical director, anchoring the Rosengarden Orchestra on the Dick Cavett show, touring with a classical quartet performing his cello compostitions, forming the New York Jazz Quartet, while writing over 400 compositions and recording over 40 albums. http://www.radio-oh.com/jazzis/trumpet/hargrove.html 2010-12-18 "He's a thoughful player, always phrasing. He doesn't go out for pyrotechnics even though he has the chops for that too." --Bobby Watson http://www.radio-oh.com/jazzis/guitar/langley.html 2010-12-16 Of this recording, which Langley also produced, he says, “We wanted to explore some of our funky roots, and just have some fun. It really is a “blowing” session. The tunes were written to get your toes tapping and your head bouncing.” http://www.radio-oh.com/jazzis/sax/land.html 2010-12-08 "Harold Land was one of the major contributors in the history of the jazz saxophone," said jazz guitarist Kenny Burrell, founder and director of the UCLA Jazz Studies Program. "He was a vital and well-loved member of the jazz faculty here at UCLA." http://www.radio-oh.com/jazzis/sax/moore.html 2010-12-02 Clearly, Criss Cross producer Gerry Teakens has much faith in Moore, of whom he says: "Ralph is not only a great tenor player but also a great person! I'm planning to do more records with him. He is the man to look for." http://www.radio-oh.com/jazzis/piano/young.html 2010-11-22 Young pioneered a modal approach to the Hammond B-3 (in contrast to Jimmy Smith's soul-jazz style). However, he did play soul-jazz also, among other styles.